15.2.11
20.11.10
ALGUNOS AUTORES
1MUJER
1mujer.blogspot.com
Aitor Bengoetxea (percusión, Navarra)
www.arteleku.net/mrbe/?p=157
A Quiet Norway
aquietnorway.wordpress.com
Arnau Sala
www.arnausala.info
Baseline (Pilar Baizán, electrónica, Bilbao)
www.baselinenoise.com
Carlos Villena
www.mantricum.com
Dárgelos
www.myspace.com/dargeloshome
EC (Estanis Comella, laptop, Lleida)
ec.atwebpages.com
Edu Comelles
educomelles.com
Federico Monti
www.discosnoise.com
Héctor Rey (violín, Helsinki)
www.hectorey.blogspot.com
Hilary Jeffery (trombón)
www.hiljef.com
Ibon Rg (voz, Sestao)
www.ibonrg.net
Invasors
desconciertos25hombres.blogspot.com
Jon Mantxi (Jon Mantzisidor, guitarra, Zumaia)
gorajapon.blogspot.com
Juan Antonio Nieto aka Pangea
myspace.com/juanantonionieto
Juanjo Palacios
juanjopalacios.com
Juan Matos Capote
juan-music.blogspot.com
Kakofunk (Terri Florido, Bilbao)
Leonel Kaplan
myspace.com/leonelkaplan
MAD_B
myspace.com/masalladelbajon
Mater Filius
desconciertos25hombres.blogspot.com
microPlex
myspace.com/microplexmusic
Minuit
www.myspace.com/minuitdelacroix
Noish~ (Oscar Martín, self-made software, Barcelona)
noconventions.mobi/noish
Pablo Reche
pabloreche.blogspot.com
Roberto Mallo (saxo, La Coruña)
www.joseghast.com
Santiago Peresón / Yaco
blog.yaco.net
Sebastian Wesman (violín, Estonia)
http://www.sebastianwesman.com
Thomas Kinsella (electroacústica/minimal/ambient, Murcia)
www.myspace.com/thomasinadvance
Tunipanea (Jonatan García, self-made instruments, Navarra)
myspace.com/tunipanea
Vate
www.vate.com.mx
Yan Jun (mixer feedback)
www.yanjun.org
1mujer.blogspot.com
Aitor Bengoetxea (percusión, Navarra)
www.arteleku.net/mrbe/?p=157
A Quiet Norway
aquietnorway.wordpress.com
Arnau Sala
www.arnausala.info
Baseline (Pilar Baizán, electrónica, Bilbao)
www.baselinenoise.com
Carlos Villena
www.mantricum.com
Dárgelos
www.myspace.com/dargeloshome
EC (Estanis Comella, laptop, Lleida)
ec.atwebpages.com
Edu Comelles
educomelles.com
Federico Monti
www.discosnoise.com
Héctor Rey (violín, Helsinki)
www.hectorey.blogspot.com
Hilary Jeffery (trombón)
www.hiljef.com
Ibon Rg (voz, Sestao)
www.ibonrg.net
Invasors
desconciertos25hombres.blogspot.com
Jon Mantxi (Jon Mantzisidor, guitarra, Zumaia)
gorajapon.blogspot.com
Juan Antonio Nieto aka Pangea
myspace.com/juanantonionieto
Juanjo Palacios
juanjopalacios.com
Juan Matos Capote
juan-music.blogspot.com
Kakofunk (Terri Florido, Bilbao)
Leonel Kaplan
myspace.com/leonelkaplan
MAD_B
myspace.com/masalladelbajon
Mater Filius
desconciertos25hombres.blogspot.com
microPlex
myspace.com/microplexmusic
Minuit
www.myspace.com/minuitdelacroix
Noish~ (Oscar Martín, self-made software, Barcelona)
noconventions.mobi/noish
Pablo Reche
pabloreche.blogspot.com
Roberto Mallo (saxo, La Coruña)
www.joseghast.com
Santiago Peresón / Yaco
blog.yaco.net
Sebastian Wesman (violín, Estonia)
http://www.sebastianwesman.com
Thomas Kinsella (electroacústica/minimal/ambient, Murcia)
www.myspace.com/thomasinadvance
Tunipanea (Jonatan García, self-made instruments, Navarra)
myspace.com/tunipanea
Vate
www.vate.com.mx
Yan Jun (mixer feedback)
www.yanjun.org
9.10.10
NICOLAS BERNIER: STRINGS.LINES
CD - Crónica 053, 2010. Created between September 2008 and February 2010 in the artist’s studio. Viola da gamba: Pierre-Yves Martel. Violin: Chris Bartos. Mastered by MC. Cover art by urban9.
1. line (strings)
2. line (a)
3. line (b)
4. line (c)
5. line (horizon)
“strings.lines” came to life from an obsession for old and forgotten object-matter and the desire to produce music that exists in between the new and the old. The starting point to the composition of this work were acoustic tuning forks. In 2007 Nicolas Bernier became fascinated with this object/instrument of particularly beautiful design, and started a collection of all the different kinds of tuning forks he could find. Some of these reached 21Hz, near the lower-limit of human hearing, some others produced extremely high frequencies, all of them became tools and instruments for improvisation through electroacoustic transformation, in a process of discovery. These improvisations were at the heart of a composition stage that was developed for almost two years. At the heart of the project was a state of mind leaning towards the restraints imposed by the tuning forks.
The “lines” in the title originates from here: from the constant pitches imposed by the tuning forks. They produce sounds that are perceptively close to sine waves, graphically represented by lines or sinusoids, the elementary sounds of electronic music and obviously the perfect musical object to draw a music around the boundary of electronic and instrumental music. The tuning fork is also a symbol of centuries of occidental music making that culminate with western tonal music, and the preservation of that symbolism was an important part of the second stage of the composition process, involving two string players, Pierre-Yves Martel on viola da gamba and Chris Bartos on violin. During the recording sessions, the instrumentalists were requested to play close to a single pitch, exploring the wood, the attacks and the resonant qualities of their instruments, while following some of the motives that had already been composed with the forks. The pieces presented in this edition are studio compositions of layers from the two stages of the work, blending both worlds while trying to keep a sense of the original materiality and timbres, but not refraining from using other sounds and sources whenever necessary.
1. line (strings)
2. line (a)
3. line (b)
4. line (c)
5. line (horizon)
“strings.lines” came to life from an obsession for old and forgotten object-matter and the desire to produce music that exists in between the new and the old. The starting point to the composition of this work were acoustic tuning forks. In 2007 Nicolas Bernier became fascinated with this object/instrument of particularly beautiful design, and started a collection of all the different kinds of tuning forks he could find. Some of these reached 21Hz, near the lower-limit of human hearing, some others produced extremely high frequencies, all of them became tools and instruments for improvisation through electroacoustic transformation, in a process of discovery. These improvisations were at the heart of a composition stage that was developed for almost two years. At the heart of the project was a state of mind leaning towards the restraints imposed by the tuning forks.
The “lines” in the title originates from here: from the constant pitches imposed by the tuning forks. They produce sounds that are perceptively close to sine waves, graphically represented by lines or sinusoids, the elementary sounds of electronic music and obviously the perfect musical object to draw a music around the boundary of electronic and instrumental music. The tuning fork is also a symbol of centuries of occidental music making that culminate with western tonal music, and the preservation of that symbolism was an important part of the second stage of the composition process, involving two string players, Pierre-Yves Martel on viola da gamba and Chris Bartos on violin. During the recording sessions, the instrumentalists were requested to play close to a single pitch, exploring the wood, the attacks and the resonant qualities of their instruments, while following some of the motives that had already been composed with the forks. The pieces presented in this edition are studio compositions of layers from the two stages of the work, blending both worlds while trying to keep a sense of the original materiality and timbres, but not refraining from using other sounds and sources whenever necessary.
21.9.10
FEDERICO BARABINO: NO-INPUT
Federico Barabino es un músico interesado desde temprana edad por las músicas improvisadas y la libre experimentación. Utiliza las nuevas tecnologías y los “errores” para desarrollar un sonido propio y una búsqueda infinita. Sus músicas se encuentran editadas por todo el mundo, solo o en colaboración con músicos destacados de la escena mundial. Intercala sus trabajos de composición y conciertos en vivo de música improvisada con la docencia musical en instituciones de Buenos Aires y su estudio privado.
Discografía y fechas de conciertos en: federicobarabino.blogspot.com
Discografía y fechas de conciertos en: federicobarabino.blogspot.com
15.9.10
BLINDHAED: LAGUNA SUNRISE
Mystery Sea / 2010 / MS61 / 56:37 / cd-r / tirada limitada: 100
1. Segment I / the other side of jackals
2. Segment II / for.gotten
3. Segment III / Sound & resounds under platform
4. Segment IV / [] approach London, consume feelings
5. Segment V / what can fan the fire that stands ?
6. Segment 54
Han contribuido:
Federico Barabino : spectral & regular sabbath guitar [ Buenos Aires ]
David Ross : thumps, crows [ London ]
Richard Scott : electronic birds [ Berlin ]
Sarah “Ruidemos” Vacher : sun, steam [ Granada ]
Marcos “One man nation” Destructos : breath [ Rotterdam ]
Pierre, Marie & Sarah Peeters : usual & unusual mayhem [ Gaurain-Ramecroix ]
Asmayani Kusrini & Sylvain from ini.itu : sink, bath & 5th wheel [ Schaerbeek ]
Liv : ♥beat [ womb ]
artwork + design + treatments by Daniel Crokaert
supervision, source material & photo insert : S/
Blindhæð is a belgian sound composter & distiller. His creations based on field recordings, various electronic treatments & manipulations, and an amalgam of both, show a sheer depth & multidimensionality through detailed textural & spatial developments. With only a downloadable compilation on Ruidemos, and a vinyl on ini.itu, whose lenghty titles give away a love for "terracing", recontextualization, and a consummate art of a story into a story, Blindhæð has already achieved to build a cohesive singular complex universe where Mystery is omnipresent. A negation of all easy short cuts, and a yearning for a refined sense of aesthetic, permanently supported by perceptive observation & empiric practice. Blindhæð transforms his intimate world into a vulnerable pregnant sound experience.
1. Segment I / the other side of jackals
2. Segment II / for.gotten
3. Segment III / Sound & resounds under platform
4. Segment IV / [] approach London, consume feelings
5. Segment V / what can fan the fire that stands ?
6. Segment 54
Han contribuido:
Federico Barabino : spectral & regular sabbath guitar [ Buenos Aires ]
David Ross : thumps, crows [ London ]
Richard Scott : electronic birds [ Berlin ]
Sarah “Ruidemos” Vacher : sun, steam [ Granada ]
Marcos “One man nation” Destructos : breath [ Rotterdam ]
Pierre, Marie & Sarah Peeters : usual & unusual mayhem [ Gaurain-Ramecroix ]
Asmayani Kusrini & Sylvain from ini.itu : sink, bath & 5th wheel [ Schaerbeek ]
Liv : ♥beat [ womb ]
artwork + design + treatments by Daniel Crokaert
supervision, source material & photo insert : S/
Blindhæð is a belgian sound composter & distiller. His creations based on field recordings, various electronic treatments & manipulations, and an amalgam of both, show a sheer depth & multidimensionality through detailed textural & spatial developments. With only a downloadable compilation on Ruidemos, and a vinyl on ini.itu, whose lenghty titles give away a love for "terracing", recontextualization, and a consummate art of a story into a story, Blindhæð has already achieved to build a cohesive singular complex universe where Mystery is omnipresent. A negation of all easy short cuts, and a yearning for a refined sense of aesthetic, permanently supported by perceptive observation & empiric practice. Blindhæð transforms his intimate world into a vulnerable pregnant sound experience.
Swallowed up into the strata,
Dragged by some distant memories,
aware of their driving force,
small debris uncoil their tales...
Wood is cracking,
Low ground is breathing,
Various modulations of an invisible constant...
Scrutinizing beyond,
"Laguna Sunrise" exhales life, disrupting time,
illuminating the moments,
the bareness of a shore,
the slightest cracks,
in a festival of shimmers...
Dragged by some distant memories,
aware of their driving force,
small debris uncoil their tales...
Wood is cracking,
Low ground is breathing,
Various modulations of an invisible constant...
Scrutinizing beyond,
"Laguna Sunrise" exhales life, disrupting time,
illuminating the moments,
the bareness of a shore,
the slightest cracks,
in a festival of shimmers...
14.8.10
LII
lii es un proyecto de improvisaciones entre diferentes personalidades sonoras combinadas diversamente: http://www.xedh.org/lii/
EPHRAIM WEGNER: AUDIBLE LANDSCAPES
Nuevo lanzamiento de la editora portuguesa Crónica en su serie Unlimited Releases: composiciones de paisajes sonoros junto a remezclas del propio Ephraim Wegner, @C y Durán Vázquez. Libre descarga: http://www.cronicaelectronica.org/?p=052
GUIDO FLICHMAN ENTREVISTADO EN RUIDO LATINO
Guido Flichman es un joven artista argentino que forma parte de diferentes proyectos sonoros (Eye, Termotank, Cine Shampoo) además de ser el responsable del blog de difusión de música experimental preferentemente latinoamericana Latinoise. De todo ello, así como de sus gustos personales, nos habla en respuesta a la entrevista de Yecid Ortega en http://latinoruido.blogspot.com/2010/08/entrevista-guido-flichman-argentina.html
12.8.10
PHILIPPE FAUJAS: DERIVA SONORA 20/07/2010
El trabajo sonoro más reciente de Philippe Faujas se titula Deriva Sonora 20/07/2010. Se puede disfrutar online o descargar en formato flac, junto con más material auditivo y audiovisual, en: www.philippefaujasartesonoro.net
www.vistodesdeelzaguan.net
www.laceldabierta.com
www.philippefaujas.net
www.vistodesdeelzaguan.net
www.laceldabierta.com
www.philippefaujas.net
DOBLE CUARTETO: CTR
Doble Cuarteto lo conforman ocho músicos: Federico Barabino, Luis Conde, Perales, Gilherme Darisbo, Natch, Sergio Merce, Darío Dolci y Subh. Han grabado CTR en 2010: http://subh.com.ar/2010/08/doble-cuarteto.html
http://www.myspace.com/doblecuarteto
http://www.myspace.com/federicobarabino
http://www.myspace.com/improconde
http://www.myspace.com/vivaalamuerte (Perales)
http://www.myspace.com/cinevictoria
http://www.myspace.com/sergiomerce
http://www.myspace.com/dariodolcijazz
http://www.myspace.com/doblecuarteto
http://www.myspace.com/federicobarabino
http://www.myspace.com/improconde
http://www.myspace.com/vivaalamuerte (Perales)
http://www.myspace.com/cinevictoria
http://www.myspace.com/sergiomerce
http://www.myspace.com/dariodolcijazz
2.8.10
DISCOGRAFÍA ISABELASNACHO
Isabelasnacho
Antes del olvido
Isabelasnacho is (was or will be) an Argentinean singer/songwriter who writes timeless songs in a kind of emotional language, mixing sounds from different languages and sometimes from any language. He is also an excellent guitar player. Most registers in this album are early compositions except for the opener “Muerto estoy” (I’m dead) and "Gorriones" (Sparrows). Recorded with Madrid between July and August 2001 at “El Quinto” in Buenos Aires, the final master was finished by December 19 in the same year.
Isabelasnacho
Invento
Invento (Invention), recorded in 2006, develops a theory on perception of the sound, for this aim, I didn’t want to use a conventional language. Thus I set out to create one which I call ‘etimophonic language’, that phonetically could express what it is not possible to be said with words, to deal with the origin of the feelings. I understood that in this work the most important was the phonetic intention or phonetic symbol than the etymologic or the explanation. This theory has an almost mystical aspect. It is based on a very deep belief, consisting of feelings that the matter is daughter to the sound and not as we understand it in our reality. The sound can create a sensation, then a thought and finally a life form. I believe that we are what we listen… For this work I used elements that I considered important as to represent what the last century was like: vinyl records, radio waves, etc. I wanted to represent the past and the future, not the present. In ‘Don de las almas’ and ‘A-Z-TAN’ I had to sing and to play the violin at the same time, something that directed and dominated me in a long time. I was convinced by the idea not to separate the voice and the violin. I lost intensity. In ‘Don de las almas’ I wanted to imitate with my voice the sound of the violin.
CDr edition by Luscinia Discos (Spain): luscinia.ruidemos.org
Antes del olvido
Isabelasnacho is (was or will be) an Argentinean singer/songwriter who writes timeless songs in a kind of emotional language, mixing sounds from different languages and sometimes from any language. He is also an excellent guitar player. Most registers in this album are early compositions except for the opener “Muerto estoy” (I’m dead) and "Gorriones" (Sparrows). Recorded with Madrid between July and August 2001 at “El Quinto” in Buenos Aires, the final master was finished by December 19 in the same year.
Isabelasnacho
Invento
Invento (Invention), recorded in 2006, develops a theory on perception of the sound, for this aim, I didn’t want to use a conventional language. Thus I set out to create one which I call ‘etimophonic language’, that phonetically could express what it is not possible to be said with words, to deal with the origin of the feelings. I understood that in this work the most important was the phonetic intention or phonetic symbol than the etymologic or the explanation. This theory has an almost mystical aspect. It is based on a very deep belief, consisting of feelings that the matter is daughter to the sound and not as we understand it in our reality. The sound can create a sensation, then a thought and finally a life form. I believe that we are what we listen… For this work I used elements that I considered important as to represent what the last century was like: vinyl records, radio waves, etc. I wanted to represent the past and the future, not the present. In ‘Don de las almas’ and ‘A-Z-TAN’ I had to sing and to play the violin at the same time, something that directed and dominated me in a long time. I was convinced by the idea not to separate the voice and the violin. I lost intensity. In ‘Don de las almas’ I wanted to imitate with my voice the sound of the violin.
CDr edition by Luscinia Discos (Spain): luscinia.ruidemos.org
16.7.10
NOISH~ Y AYANKOKO
Noish~: exploración sonora ubicada en algún lugar entre la computer music, la estética del error post-digital y el noise generativo. Basado en la deconstrucción granular de grabaciones de campo de distinta índole y en la improvisación y composición generativa en tiempo real., es una propuesta de un marcado carácter inmersivo que busca la creación de universos sonoros virtuales, paisajes imaginarios, que sugieran una escucha activa y una sensibilidad diferente hacia la percepción del fenómeno sonoro, bajo el paradigma opensource (distribución Linux “ubuntu”, DiY-software con Pure Data, Audacity y Ardour).
Ayankoko: Ayankoko is french sound artist David Vilayleck’s solo project. A formerly guitar player with various background influences as jazz, electro, traditional music turned himself into an electronica ambient noise artist since 2004. He released works through internet labels and use of creative commons license with hazardrecords, headphonica, dog-eared records, amp-recs, clinical archives, colin johnco records, and has performed extensively in Europe. His music aims at developing structures and tensions in the contemporary sound art landscape. He currently resides between Morocco, where he studies and works with masters of traditional trance/sufi music and Berlin.
Ayankoko: Ayankoko is french sound artist David Vilayleck’s solo project. A formerly guitar player with various background influences as jazz, electro, traditional music turned himself into an electronica ambient noise artist since 2004. He released works through internet labels and use of creative commons license with hazardrecords, headphonica, dog-eared records, amp-recs, clinical archives, colin johnco records, and has performed extensively in Europe. His music aims at developing structures and tensions in the contemporary sound art landscape. He currently resides between Morocco, where he studies and works with masters of traditional trance/sufi music and Berlin.
11.7.10
GOLDEN CUP
Proyecto en solitario del italiano y residente en Oporto Luca Massolin, integrante de Golden Jooklo Age (www.troglosound.altervista.org/goldenjookloage.htm) y del colectivo de improvisación cósmica Neokarma (www.troglosound.altervista.org/neokarma.htm). Combinando electrónica, sonidos guturales y mandolina procesados, construye sugestivos pasajes que evocan gozo y esplendor. Si bien se trata de drone music, presenta la particularidad de que incluso en los momentos álgidos de densidad sonora se muestra luminoso y vitalista, no turbio. Al excarvar en el tejido que conforman las múltiples capas emerge el sueño. Comparte territorio con artistas como Stellar Om Source, The Skaters, Birds of Delay, Emeralds, Dolphins into the Future, axolotl, P.A.R.A o ducktails, cuyas propuestas presentan palpables remisniscencias con las del avant-garde alemán y americano de los primeros 70 (Ash Ra Temple, Cluster, La Monte Young, Angus McLise, Tony Conrad). Sin ir más lejos, a principios de año colaboró con el coreógrafo relacionado con Fluxus Merce Cunningham en su último show, Nearly Ninety, en Madrid. Está detrás del sello 8mm (www.8mmrecs.com) y también tiene editado material en otros como Digitalis y Peasant Magik.
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